Fabian Perez

Born in Buenos Aires in 1967 to a Brazilian mother and Argentine father, Fabian Perez was just 9 years of age when he became fascinated with paintbrushes and watercolours. This fascination turned into a passion for fine art in particular as he entered his adolescence as he regularly painted portraits showing much promise of his friends and family; yet it had to share top billing with Perez's other great interest, that of martial arts. Perez insists that the discipline necessitated by active involvement in martial arts carried over and provided a focus for his painting too.

In terms of his works of art, Perez would be the first person to admit that he was influenced (whether consciously or subconsciously) by the errant and oft unorthodoxically-lived lifestyle that his father chose to immerse himself in. Perez portrayed his father, Antonio, in his noted early paintings as the cool guy stood outside the nightclubs and bordellos of Campana, found just outside of Argentina's capital city.

Perez paints a strangely alluring, but potentially damaging picture of his formative years, littered with talk of how his father would be regularly chased by the police and ultimately have his several brothels and illegal nightclubs closed down. One resonating and enduring feature of his younger years is the illustrative use of these beautiful, seductive ladies of the night, who came to be a fixation of his youth, and who is brazenly portrayed in Perez's signature works. There's no mention of how his mother, Edua Herreria, a beautiful Brazilian women lived with her husband�s business ventures, suffice to say Perez cites her as the creative tour de force behind his career and life in general.

Tragically, aged 16, Perez's inspirational mother passed away, and just 3 years later he lost the colourful character that was his father, too. As you'd imagine, the sudden void left in his life rendered Perez bereft, and in search of answers. It was shortly afterwards that he was introduced to the individual who helped pick up the pieces of Perez�s life and help rebuild and restore a sense of purpose to Perez's existence and immediate future. That person was Sensai Oscar, who went on to become Perez's teacher, master, close friend and for a large part, a father-like figure to someone still reeling from a double tragedy. Oscar provided an inner peace and helped Perez gain the strength of mind and body to continue on his life's journey. This was engendered through the study of martial arts, an area which had held Perez's interest from his childhood.

It was in 1987 that Perez embarked on a journey of self discovery and artistic prophecy, that's lasted until present day and taken in a number of the world's greatest cities. His globe-trotting led Perez to a six-month stay in Rio, after which he took up residency in Padova, Venice which he called home for seven years. In Italy he filled his time mastering the martial arts with Oscar, whilst painting daily. It's in this setting that he also penned his book, Reflections of a Dream. Perez's next move saw him creating his home in Okinawa, Japan (where he painted the Japanese flag and a meditating man, both of which hang in the government house there); before he finally settled in the place he still resides in today; the naturally relaxed setting of Beverley Hills in Los Angeles. On first arriving in West Coast America, Perez gained employment as both a busboy and a model, which he balanced alongside running odd jobs for Universal Studios in Hollywood, no less. Perez doesn't hesitate in referring to this period as the most creative time in his life, as despite working all day, this afforded him the means to paint all night. Today Perez divides his time between inspiring others via his painting and writing, while also finding time to play soccer, train and teaches martial arts to close friends. He still travels the world for inspiration.

It wasn't until 2001 however that the contemporary art world stood up and took notice of Perez's talents, when two art publishers and gallery owners observed an exhibition that Perez had put on. Within a week of first witnessing Perez's work, they'd formed a partnership to promote, market and develop Perez's career as a figurative artist, and bring him to a whole new audience. The collaboration proved hugely successful, and with word spreading, Perez's work found new owners in next to no time.